![]() ![]() I examine the ways Bacewicz and Bartók incorporated folk melodies in composing these pieces. After this, I shift my discussion to two classical compositions: Polish Capriccio and Romanian Folk Dances. I then follow a tune that traveled from Ireland to Cape Breton Island, noting the differences in syncopation and tempo. Then, I track a tune that traveled from Ireland and Scotland to Missouri, noting changes in rhythm and bow pattern. First, I examine Irish music, analyzing the rhythmic structures and ornamentation of the tunes. This thesis accompanies my senior violin recital, an exploration of the roots of folk melodies in traditional fiddle music from the Southeast of the United States and the East Coast of Canada as well as classical compositions by Béla Bartók and Grażyna Bacewicz.
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